Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in einer Vielzahl von Formaten herunter.
Kaufen Sie das Album als CD oder Vinyl bei unserem Partner jpc
The sixth long-player from the shape-shifting, stalwart, Utah-bred punk rockers opens with a song called "Revolution" that houses the lyric "From now on I pledge allegiance to a world that's so much different/where no one suffers/everyone is free." It's an uplifting image, and one that Bert McCracken and company haven't always evoked, but more than a decade into their career, the Used have carved out their own unique niche in the crowded post-hardcore/screamo punk scene, and have earned the right to reflect on what they've been raging against since their 2002 debut. Working again with longtime producer John Feldman, Imaginary Enemy burns bright and fast, tearing through familiar (as in largely generic), classic anti-establishment punk themes with the subtlety of a mace to the face, but there's a wild, anything-goes spirit (and a genuine yearning for change) that guides much of the material, suggesting that the studio may have housed a sizeable window to accommodate the tossing out of the rule book. For every "Cry," "Generation Throwaway," and "El-Oh-Vee-Ee," all three of which are fist-pumping, largely traditional-sounding 21st century punk rallying cries that effectively utilize the Used instant-chorus generator, there's an "Evolution" or a "Song to Stifle Imperial Progression (A Work in Progress)," the former a dreamy, radio-ready power ballad and the latter a freak show mash-up of feral, Sunset Strip metal and Big Audio Dynamite-induced dance beats, and it's these aberrations that make Imaginary Enemy such a surprisingly fun ride, even as it's beating you over the head with cliches.
© James Christopher Monger /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Ab 12,49€/Monat
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
The Used, MainArtist - The Used (80%) and John Feldmann (20%), Composer - Used Movement Music (BMI) [80%] / Songs of Red Bull (ASCAP) / Robot Dragon Music (ASCAP) [20%], MusicPublisher
2014 The Used 2014 The Used
Albumbeschreibung
The sixth long-player from the shape-shifting, stalwart, Utah-bred punk rockers opens with a song called "Revolution" that houses the lyric "From now on I pledge allegiance to a world that's so much different/where no one suffers/everyone is free." It's an uplifting image, and one that Bert McCracken and company haven't always evoked, but more than a decade into their career, the Used have carved out their own unique niche in the crowded post-hardcore/screamo punk scene, and have earned the right to reflect on what they've been raging against since their 2002 debut. Working again with longtime producer John Feldman, Imaginary Enemy burns bright and fast, tearing through familiar (as in largely generic), classic anti-establishment punk themes with the subtlety of a mace to the face, but there's a wild, anything-goes spirit (and a genuine yearning for change) that guides much of the material, suggesting that the studio may have housed a sizeable window to accommodate the tossing out of the rule book. For every "Cry," "Generation Throwaway," and "El-Oh-Vee-Ee," all three of which are fist-pumping, largely traditional-sounding 21st century punk rallying cries that effectively utilize the Used instant-chorus generator, there's an "Evolution" or a "Song to Stifle Imperial Progression (A Work in Progress)," the former a dreamy, radio-ready power ballad and the latter a freak show mash-up of feral, Sunset Strip metal and Big Audio Dynamite-induced dance beats, and it's these aberrations that make Imaginary Enemy such a surprisingly fun ride, even as it's beating you over the head with cliches.
© James Christopher Monger /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 00:54:09
- Künstler: The Used
- Komponist: The Used
- Label: The Used
- Genre: Pop/Rock Rock
2014 The Used 2014 The Used
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.
Playlists