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London Grammar|The Greatest Love

The Greatest Love

London Grammar
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The British band London Grammar is back with a fourth album. The group has been delivering hit after hit for over a decade, and this album’s dreamy lead single works as a calling card for them to reintroduce their bestselling talent. "House" stands out with its drum'n'bass influence and divulges into the singer Hannah Reid’s serene mindset as she enters her thirties. Of course, it’s far from being the only track on the album to leave you with an ethereal feeling. With its layers and transcendent choir (the Rhythm Studio Choir), a track like "You And I" ticks all the boxes, as does "Into Gold," with a few piano notes scattered in and eerie, repetitive vocal effects. The eponymous "The Greatest Love" gently comforts the listener and carries them through a soothing melody and lilting three-beat rhythm. But London Grammar's dreamy sound should certainly not be seen as an aversion to sharpness. Tackling a more negative subject, "Fakest Bitch" surprises the listener with its stinging undertones.


The album also features more upbeat tracks like "Rescue" (with its almost cheerful onomatopoeic chorus), and of course the two one way tickets to “LA” and “Santa Fe”. The emotional intensity that London Grammar is reputed for reaches its peak in these latter two tracks, thanks to sophisticated lyricism and beautiful, catchy melodies, supported by smooth production (and not to mention Hannah Reid's captivating voice). And so, with "The Greatest Love," Hannah Reid once again proves her mastery over the grammar of songwriting. © Nicolas Magenham/Qobuz

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The Greatest Love

London Grammar

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1
House
00:03:10

Tim Bran, Programmer, AdditionalStudioProducer - Mark "Spike" Stent, Mixing Engineer - George Fitzgerald, AdditionalStudioProducer - Daniel Rothman, Composer, Lyricist, Guitar, Keyboards, Vocal - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Keyboards, Vocal - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist

(C) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment UK Limited

2
Fakest Bitch Explicit
00:04:19

Tim Bran, Producer, Piano, Programmer - Mark "Spike" Stent, Mixing Engineer - Daniel Rothman, Composer, Lyricist, Guitar - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist - Seth Tackaberry, Bass

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment

3
You And I
00:05:00

Everton Nelson, AdditionalStudioProducer - Tim Bran, Producer - Sally Herbert, Performance Arranger, AdditionalStudioProducer - Mark "Spike" Stent, Mixing Engineer - Daniel Rothman, Composer, Lyricist, Guitar, Keyboards - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Drums, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist - Jon Hoskins, AdditionalStudioProducer - Isabel Gracefield, Engineer - Seth Tackaberry, Bass - Liam Hebb, Assistant Engineer - Sara Pulice, Contractor - The Rhythm Studio Choir, London, Choir

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment UK Limited

4
LA
00:04:31

Everton Nelson, AdditionalStudioProducer - Tim Bran, Producer, Programmer - Sally Herbert, Performance Arranger, AdditionalStudioProducer - Mark "Spike" Stent, Mixing Engineer - Matt Wiggins, Engineer - Daniel Rothman, Composer, Lyricist, Guitar - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Drums, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist - Isabel Gracefield, Engineer - Liam Hebb, Assistant Engineer - Sara Pulice, Contractor

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment

5
Ordinary Life
00:03:43

Everton Nelson, AdditionalStudioProducer - Tim Bran, Programmer, AdditionalStudioProducer - Sally Herbert, Performance Arranger, AdditionalStudioProducer - Mark "Spike" Stent, Mixing Engineer - Matt Wiggins, Engineer - Daniel Rothman, Composer, Lyricist, Guitar, Keyboards - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Drums, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist - Isabel Gracefield, Engineer - Liam Hebb, Assistant Engineer - Sara Pulice, Contractor

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment

6
Santa Fe
00:03:19

Everton Nelson, AdditionalStudioProducer - Tim Bran, AdditionalStudioProducer - Sally Herbert, Performance Arranger, AdditionalStudioProducer - Mark "Spike" Stent, Mixing Engineer - Daniel Rothman, Composer, Lyricist, Guitar, Keyboards - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Drums, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist - Pablo Bowman, Composer, Lyricist, Vocal - Isabel Gracefield, Engineer - Liam Hebb, Assistant Engineer - Drew Dungate-Smith, Engineer - Sara Pulice, Contractor

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment

7
Kind Of Man
00:04:15

Tim Bran, Producer, Programmer - Mark "Spike" Stent, Mixing Engineer - Daniel Rothman, Composer, Lyricist, Guitar, Keyboards - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Drums, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist - Jon Hoskins, Producer - Seth Tackaberry, Composer, Lyricist

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment

8
Rescue
00:03:55

Everton Nelson, AdditionalStudioProducer - Tim Bran, Programmer, AdditionalStudioProducer - Sally Herbert, Performance Arranger, AdditionalStudioProducer - Mark "Spike" Stent, Mixing Engineer - George Fitzgerald, Composer, Lyricist, Producer - Daniel Rothman, Composer, Lyricist, Guitar, Keyboards - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Drums, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist - Isabel Gracefield, Engineer - Liam Hebb, Assistant Engineer - Sara Pulice, Contractor

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment

9
Into Gold
00:05:42

Mark "Spike" Stent, Mixing Engineer - Daniel Rothman, Composer, Lyricist, Guitar, Keyboards - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Drums, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment

10
The Greatest Love
00:04:16

Everton Nelson, AdditionalStudioProducer - Tim Bran, Programmer, AdditionalStudioProducer - Sally Herbert, Performance Arranger, AdditionalStudioProducer - Mark "Spike" Stent, Mixing Engineer - Matt Wiggins, Engineer - Daniel Rothman, Composer, Lyricist, Guitar, Keyboards - London Grammar, Producer, MainArtist, AssociatedPerformer - Hannah Reid, Composer, Lyricist, Vocal - Dot Major, Drums, Keyboards - John Greenham, Mastering Engineer - Dominic Major, Composer, Lyricist - Isabel Gracefield, Engineer - Liam Hebb, Assistant Engineer - Sara Pulice, Contractor

(P) 2024 Ministry of Sound Recordings Limited / Metal & Dust under exclusive licence to Sony Music Entertainment

Album review

The British band London Grammar is back with a fourth album. The group has been delivering hit after hit for over a decade, and this album’s dreamy lead single works as a calling card for them to reintroduce their bestselling talent. "House" stands out with its drum'n'bass influence and divulges into the singer Hannah Reid’s serene mindset as she enters her thirties. Of course, it’s far from being the only track on the album to leave you with an ethereal feeling. With its layers and transcendent choir (the Rhythm Studio Choir), a track like "You And I" ticks all the boxes, as does "Into Gold," with a few piano notes scattered in and eerie, repetitive vocal effects. The eponymous "The Greatest Love" gently comforts the listener and carries them through a soothing melody and lilting three-beat rhythm. But London Grammar's dreamy sound should certainly not be seen as an aversion to sharpness. Tackling a more negative subject, "Fakest Bitch" surprises the listener with its stinging undertones.


The album also features more upbeat tracks like "Rescue" (with its almost cheerful onomatopoeic chorus), and of course the two one way tickets to “LA” and “Santa Fe”. The emotional intensity that London Grammar is reputed for reaches its peak in these latter two tracks, thanks to sophisticated lyricism and beautiful, catchy melodies, supported by smooth production (and not to mention Hannah Reid's captivating voice). And so, with "The Greatest Love," Hannah Reid once again proves her mastery over the grammar of songwriting. © Nicolas Magenham/Qobuz

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