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Ray Russell|Why Not Now  (Expanded Edition)

Why Not Now (Expanded Edition)

Ray Russell
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Why Not Now is a remastered reissue of an album by British jazz guitarist Ray Russell. Recorded in 1987 and originally released on the tiny Theta label under the name Childscape, Why Not Now is a unique blend of progressive jazz and space rock that manages to escape the clichés of new age music (despite the presence of some extremely dated synthesizer sounds) in favor of a calm, hallucinatory stillness that owes much to Gil Evans' '50s charts for Miles Davis. Evans, in fact, appears on the album, playing electric piano on his own composition, "The Pan Piper," and serving as the subject of the lovely closer "Sketches of Gil," completed shortly before the master arranger's death. The other ten tracks are similarly placid, built on overdubbed layers of Russell's Bill Nelson-like treated guitar soundscapes and the ambient keyboards of Mark Isham and Tony Hymas, over which Russell (and occasionally Isham, who doubles on trumpet) spins delicate, crystalline solos unencumbered by the sort of fast-fingered showiness that usually ruins this sort of album. This is not a "player" album, but it's also not quite melodically minimal enough to truly be ambient music. Perhaps the closest comparison is to David Sylvian's quiet art pop, or the post-minimalist experiments of Michael Nyman.

© Stewart Mason /TiVo

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Why Not Now (Expanded Edition)

Ray Russell

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1
Outland
00:05:14

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

2
Prelude 1
00:00:48

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

3
Pour Me A Fish
00:03:43

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

4
Blue Shoes - No Dance
00:03:18

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

5
Lunday Island
00:02:45

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

6
The Pan Piper
00:06:33

Gil Evans, Composer - Ray Russell, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

7
Childscape
00:05:01

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

8
Point Perfect
00:03:42

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

9
Prelude 2
00:00:31

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

10
If Only...
00:03:14

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

11
Murmurs In Reverse
00:04:33

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

12
Sketches Of Gil
00:02:41

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

13
Avian (Bonus Track)
00:08:08

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

14
No Step (Bonus Track)
00:08:55

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

15
Snow (A Passing Phase) (Bonus Track)
00:06:43

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

16
A Table Near The Band (Bonus Track)
00:08:39

Ray Russell, Composer, MainArtist

© 1988 Cherry Red Records Ltd. ℗ 1988 Ray Russell Ray Russell

Album review

Why Not Now is a remastered reissue of an album by British jazz guitarist Ray Russell. Recorded in 1987 and originally released on the tiny Theta label under the name Childscape, Why Not Now is a unique blend of progressive jazz and space rock that manages to escape the clichés of new age music (despite the presence of some extremely dated synthesizer sounds) in favor of a calm, hallucinatory stillness that owes much to Gil Evans' '50s charts for Miles Davis. Evans, in fact, appears on the album, playing electric piano on his own composition, "The Pan Piper," and serving as the subject of the lovely closer "Sketches of Gil," completed shortly before the master arranger's death. The other ten tracks are similarly placid, built on overdubbed layers of Russell's Bill Nelson-like treated guitar soundscapes and the ambient keyboards of Mark Isham and Tony Hymas, over which Russell (and occasionally Isham, who doubles on trumpet) spins delicate, crystalline solos unencumbered by the sort of fast-fingered showiness that usually ruins this sort of album. This is not a "player" album, but it's also not quite melodically minimal enough to truly be ambient music. Perhaps the closest comparison is to David Sylvian's quiet art pop, or the post-minimalist experiments of Michael Nyman.

© Stewart Mason /TiVo

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