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Chuck Prophet|Wake The Dead

Wake The Dead

Chuck Prophet feat. ¿Qiensave?
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Collaborating with an established cumbia band feels surprising, but not shocking, as a new twist in Chuck Prophet's music. For nearly forty years, since joining Green On Red for Gas Food Lodging (1985), Prophet has combined blues, rock, country, and even R&B influences into a swirl that since the mid-'90s, has come to be known as Americana. While South and Central American influences like cumbia would be a natural extension for such a genre-crossing artist, especially one who both grew up in and started his career in southern California, they had not informed his music before Wake the Dead.

Prophet first became interested in cumbia after attending a weekly concert series in San Francisco, where he now lives. His passion for cumbia grew while receiving intense treatments for lymphoma, and this experience shaped his writing for Wake the Dead. Prophet then discovered the Salinas-based group ¿Qiensave?, and began collaborating with them as his health returned: first on live shows, and then on a recording session joined by his usual backing band, The Mission Express. 

Given the struggles from which the album grew, Prophet's contagious joy and ¿Qiensave?'s emphasis on fun-loving propulsion—which their bio ties to Mario Cortez's güira playing—provides another surprising twist. Even when the lyrics turn dark, like the "I had another nightmare" line that kicks off "Give the Boy a Kiss," this pervasive spirit is an obvious and purposeful contrast.

Songs like "First Came the Thunder" emphasize Prophet's Americana songwriting voice, with ¿Qiensave? then stretching arrangements into unexpected directions. The layered percussion, accordion-like keyboard textures, and backing "whoa" chants pull a familiar type of song into new and original territory.

By merging cumbia with an Americana idiom, Wake the Dead treads similar turf to Los Lobos. But where Los Lobos thrive by exploring a range of emotions, Wake the Dead emphasizes a consistently light and festive energy. © Steve Silverstein/Qobuz



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Wake The Dead

Chuck Prophet

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1
Wake The Dead
00:03:20

Chuck Prophet, Composer, MainArtist - Klipschutz, Composer - Kingsblood Music (BMI), admin. by BMG Music/No Socks Music (BMI), admin. by BMG Music, MusicPublisher

2024 Yep Roc, LLC 2024 Yep Roc Records

2
Betty's Song
00:03:52

Chuck Prophet, Composer, MainArtist - Klipschutz, Composer - James Deprato, Composer - Kingsblood Music (BMI), admin. by BMG Music/No Socks Music (BMI), admin. by BMG Music/Dipsongs (BMI), admin. by BMG Music, MusicPublisher - ¿Qiensave?, FeaturedArtist

2024 Yep Roc, LLC 2024 Yep Roc Records

3
Give the Boy a Kiss
00:03:26

Chuck Prophet, Composer, MainArtist - Klipschutz, Composer - Kingsblood Music (BMI), admin. by BMG Music/No Socks Music (BMI), admin. by BMG Music, MusicPublisher - ¿Qiensave?, FeaturedArtist

2024 Yep Roc, LLC 2024 Yep Roc Records

4
First Came the Thunder
00:03:58

Chuck Prophet, Composer, MainArtist - Klipschutz, Composer - Kingsblood Music (BMI), admin. by BMG Music/No Socks Music (BMI), admin. by BMG Music, MusicPublisher - ¿Qiensave?, FeaturedArtist

2024 Yep Roc, LLC 2024 Yep Roc Records

5
Sally Was a Cop
00:04:54

Chuck Prophet, Composer, MainArtist - Alejandro Escovedo, Composer - Kingsblood Music (BMI), admin. by BMG Music/Man From Japan Publishing (BMI), admin. by G and L Publishing, MusicPublisher - ¿Qiensave?, FeaturedArtist

2024 Yep Roc, LLC 2024 Yep Roc Records

6
Red Sky Night
00:03:51

Chuck Prophet, Composer, MainArtist - Kim Richey, Composer - Aaron Lee Tasjan, Composer - Kingsblood Music (BMI), admin. by BMG Music/Acamar Music (BMI, PRS), admin. by Modern Works/Tasjan Music (ASCAP), MusicPublisher - ¿Qiensave?, FeaturedArtist

2024 Yep Roc, LLC 2024 Yep Roc Records

7
Same Old Crime
00:02:29

Chuck Prophet, Composer, MainArtist - James Deprato, Composer - Kingsblood Music (BMI), admin. by BMG Music/Dipsongs (BMI), admin. by BMG Music, MusicPublisher - ¿Qiensave?, FeaturedArtist

2024 Yep Roc, LLC 2024 Yep Roc Records

8
One Lie for Me, One for You
00:04:15

Chuck Prophet, Composer, MainArtist - Klipschutz, Composer - Kingsblood Music (BMI), admin. by BMG Music/No Socks Music (BMI), admin. by BMG Music, MusicPublisher

2024 Yep Roc, LLC 2024 Yep Roc Records

9
Sugar into Water
00:03:27

Chuck Prophet, Composer, MainArtist - Klipschutz, Composer - Kingsblood Music (BMI), admin. by BMG Music/No Socks Music (BMI), admin. by BMG Music, MusicPublisher - ¿Qiensave?, FeaturedArtist

2024 Yep Roc, LLC 2024 Yep Roc Records

10
In the Shadows (for Elon)
00:03:01

Chuck Prophet, Composer, MainArtist - Klipschutz, Composer - James Deprato, Composer - Kingsblood Music (BMI), admin. by BMG Music/No Socks Music (BMI), admin. by BMG Music/Dipsongs (BMI), admin. by BMG Music, MusicPublisher - ¿Qiensave?, FeaturedArtist

2024 Yep Roc, LLC 2024 Yep Roc Records

11
It's a Good Day to Be Alive
00:03:07

Chuck Prophet, Composer, MainArtist - Klipschutz, Composer - Kingsblood Music (BMI), admin. by BMG Music/No Socks Music (BMI), admin. by BMG Music, MusicPublisher

2024 Yep Roc, LLC 2024 Yep Roc Records

Album review

Collaborating with an established cumbia band feels surprising, but not shocking, as a new twist in Chuck Prophet's music. For nearly forty years, since joining Green On Red for Gas Food Lodging (1985), Prophet has combined blues, rock, country, and even R&B influences into a swirl that since the mid-'90s, has come to be known as Americana. While South and Central American influences like cumbia would be a natural extension for such a genre-crossing artist, especially one who both grew up in and started his career in southern California, they had not informed his music before Wake the Dead.

Prophet first became interested in cumbia after attending a weekly concert series in San Francisco, where he now lives. His passion for cumbia grew while receiving intense treatments for lymphoma, and this experience shaped his writing for Wake the Dead. Prophet then discovered the Salinas-based group ¿Qiensave?, and began collaborating with them as his health returned: first on live shows, and then on a recording session joined by his usual backing band, The Mission Express. 

Given the struggles from which the album grew, Prophet's contagious joy and ¿Qiensave?'s emphasis on fun-loving propulsion—which their bio ties to Mario Cortez's güira playing—provides another surprising twist. Even when the lyrics turn dark, like the "I had another nightmare" line that kicks off "Give the Boy a Kiss," this pervasive spirit is an obvious and purposeful contrast.

Songs like "First Came the Thunder" emphasize Prophet's Americana songwriting voice, with ¿Qiensave? then stretching arrangements into unexpected directions. The layered percussion, accordion-like keyboard textures, and backing "whoa" chants pull a familiar type of song into new and original territory.

By merging cumbia with an Americana idiom, Wake the Dead treads similar turf to Los Lobos. But where Los Lobos thrive by exploring a range of emotions, Wake the Dead emphasizes a consistently light and festive energy. © Steve Silverstein/Qobuz



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