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Sarah Vaughan|Sarah Vaughan

Sarah Vaughan

Sarah Vaughan
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This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for Vaughan's voice. Ironically though, neither Brown nor Quinichette or Mann appear on the album's highlight, "Embraceable You," which Vaughan performs with close accompaniment from the rhythm section: Jimmy Jones on piano, Joe Benjamin on bass, and Roy Haynes on drums. Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued, Sarah Vaughan is one of the most important jazz-meets-vocal sessions ever recorded.

© John Bush /TiVo

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Sarah Vaughan

Sarah Vaughan

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1
Lullaby Of Birdland
00:03:59

Jimmy Jones, Piano - Joe Benjamin, DoubleBass - Quincy Jones, Producer - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - GEORGE DAVID WEISS, ComposerLyricist - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Clifford Brown, Trumpet - George Shearing, Composer - Bob Shad, Producer - Roy Haynes, DrumKit

℗ 1954 UMG Recordings, Inc.

2
April In Paris
00:06:18

Jimmy Jones, Piano - Joe Benjamin, DoubleBass - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Vernon Duke, Composer - Clifford Brown, Trumpet, FeaturedArtist - Bob Shad, Producer - Roy Haynes, DrumKit - Yip Harburg, Lyricist

℗ 1955 UMG Recordings, Inc.

3
He's My Guy
00:04:13

Jimmy Jones, Piano - Joe Benjamin, DoubleBass - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - Gene DePaul, ComposerLyricist - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Clifford Brown, Trumpet, FeaturedArtist - Don Raye, ComposerLyricist - Bob Shad, Producer - Roy Haynes, DrumKit

℗ 1955 UMG Recordings, Inc.

4
Jim
00:05:54

Jimmy Jones, Piano - Joe Benjamin, DoubleBass - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Clifford Brown, Trumpet, FeaturedArtist - Bob Shad, Producer - Roy Haynes, DrumKit - Milton Samuels, ComposerLyricist - Caesar Petrillo, ComposerLyricist - Nelson Shawn, ComposerLyricist

℗ 1955 UMG Recordings, Inc.

5
You're Not The Kind
00:04:43

Jimmy Jones, Piano - Joe Benjamin, DoubleBass - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - Irving Mills, ComposerLyricist - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Will Hudson, ComposerLyricist - Clifford Brown, Trumpet, FeaturedArtist - Bob Shad, Producer - Roy Haynes, DrumKit

℗ 1955 UMG Recordings, Inc.

6
Embraceable You
00:04:50

Jimmy Jones, Piano - Joe Benjamin, DoubleBass - George Gershwin, Composer - Ira Gershwin, Lyricist - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Clifford Brown, Trumpet, FeaturedArtist - Bob Shad, Producer - Roy Haynes, DrumKit

℗ 1955 UMG Recordings, Inc.

7
I'm Glad There Is You
00:05:11

Jimmy Jones, Piano - Paul Madeira, ComposerLyricist - Joe Benjamin, DoubleBass - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Clifford Brown, Trumpet, FeaturedArtist - Bob Shad, Producer - Roy Haynes, DrumKit - Jimmy Dorsey, ComposerLyricist

℗ 1955 UMG Recordings, Inc.

8
September Song
00:05:46

Jimmy Jones, Piano - Kurt Weill, ComposerLyricist - Joe Benjamin, Bass - Quincy Jones, Producer - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Clifford Brown, Trumpet - Maxwell Anderson, ComposerLyricist - Bob Shad, Producer - Roy Haynes, DrumKit

℗ 1954 UMG Recordings, Inc.

9
It's Crazy
00:05:05

Jimmy Jones, Piano - Joe Benjamin, DoubleBass - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Clifford Brown, Trumpet, FeaturedArtist - Bob Shad, Producer - Roy Haynes, DrumKit - Timmy Rogers, ComposerLyricist - Al Fields, ComposerLyricist

℗ 1955 UMG Recordings, Inc.

10
Lullaby Of Birdland (Alternate Take)
00:03:58

Jimmy Jones, Piano - Joe Benjamin, DoubleBass - Ernie Wilkins, Conductor, RecordingArranger - Herbie Mann, Flute - GEORGE DAVID WEISS, ComposerLyricist - Paul Quinichette, Saxophone - Sarah Vaughan, Vocalist, MainArtist - Clifford Brown, Trumpet, FeaturedArtist - George Shearing, ComposerLyricist - Bob Shad, Producer - Roy Haynes, DrumKit

℗ 1955 UMG Recordings, Inc.

Album review

This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for Vaughan's voice. Ironically though, neither Brown nor Quinichette or Mann appear on the album's highlight, "Embraceable You," which Vaughan performs with close accompaniment from the rhythm section: Jimmy Jones on piano, Joe Benjamin on bass, and Roy Haynes on drums. Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued, Sarah Vaughan is one of the most important jazz-meets-vocal sessions ever recorded.

© John Bush /TiVo

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