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Blur|Modern Life Is Rubbish (2012 Remaster)

Modern Life Is Rubbish (2012 Remaster)

Blur
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As a response to the dominance of grunge in the U.K. and their own decreasing profile in their homeland -- and also as a response to Suede's sudden popularity -- Blur reinvented themselves with their second album, Modern Life Is Rubbish, abandoning the shoegazing and baggy influences that dominated Leisure for traditional pop. On the surface, Modern Life may appear to be an homage to the Kinks, David Bowie, the Beatles, and Syd Barrett, yet it isn't a restatement, it's a revitalization. Blur use British guitar pop from the Beatles to My Bloody Valentine as a foundation, spinning off tales of contemporary despair. If Damon Albarn weren't such a clever songwriter, both lyrically and melodically, Modern Life could have sunk under its own pretensions, and the latter half does drag slightly. However, the record teems with life, since Blur refuse to treat their classicist songs as museum pieces. Graham Coxon's guitar tears each song open, either with unpredictable melodic lines or layers of translucent, hypnotic effects, and his work creates great tension with Alex James' kinetic bass. And that provides Albarn a vibrant background for his social satires and cutting commentary. But the reason Modern Life Is Rubbish is such a dynamic record and ushered in a new era of British pop is that nearly every song is carefully constructed and boasts a killer melody, from the stately "For Tomorrow" and the punky "Advert" to the vaudeville stomp of "Sunday Sunday" and the neo-psychedelic "Chemical World." Even with its flaws, it's a record of considerable vision and excitement. [Most American versions of Modern Life Is Rubbish substitute the demo version of "Chemical World" for the studio version on the British edition. They also add the superb single "Pop Scene" before the final song, "Resigned."]

© Stephen Thomas Erlewine /TiVo

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Modern Life Is Rubbish (2012 Remaster)

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1
For Tomorrow (2012 Remaster)
00:04:20

John Smith, Engineer - Alex James, Bass Guitar, Writer - Rick Koster, Violin - John Metcalfe, Viola - Dave Rowntree, Drums, Timpani, Writer - Helen Kamminga, Viola - STEPHEN STREET, Producer, Remastering Engineer - Miriam Stockley, Background Vocals - Mae McKenna, Background Vocals - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Bells, Organ, Vocals, Writer, Synthesizer - Frank Arkwright, Remastering Engineer - Ivan McCermoy, Cello - Lousia Fuller, Violin - The Duke String Quartet, String Quartet

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

2
Advert (2012 Remaster)
00:03:44

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer, Hand Clap, Drumbox Percussion - Graham Coxon, Guitar, Tambourine, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer, Miscellaneous - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

3
Colin Zeal (2012 Remaster)
00:03:16

John Smith, Engineer - Alex James, Bass Guitar, Writer, Hand Clap - Dave Rowntree, Drums, Writer, Hand Clap - STEPHEN STREET, Producer, Remastering Engineer, Synthesizer - Graham Coxon, Guitar, Tambourine, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Vocals, Writer, Miscellaneous - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

4
Pressure on Julian (2012 Remaster)
00:03:30

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer, Samples - Graham Coxon, Guitar, Writer, Background Vocals, Miscellaneous - Blur, MainArtist - Damon Albarn, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

5
Star Shaped (2012 Remaster)
00:03:26

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Bells, Remastering Engineer, Synthesizer - Graham Coxon, Guitar, Writer, Background Vocals, Moog - Blur, MainArtist - Damon Albarn, Vocals, Writer, Miscellaneous - Frank Arkwright, Remastering Engineer - Kate St. John, Cor Anglais, Oboe, Soprano Saxophone

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

6
Blue Jeans (2012 Remaster)
00:03:53

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Piano, Vocals, Writer, Melodica - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

7
Chemical World (2012 Remaster)
00:06:33

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

8
Sunday Sunday (2012 Remaster)
00:02:37

John Smith, Engineer - Alex James, Bass Guitar, Writer - Roddy Lorimer, Trumpet - Simon Clarke, Saxophone - Dave Rowntree, Drums, Writer - STEPHEN STREET, Remastering Engineer - The Kick Horns, Section Horn - Neil Sidwell, Trombone - Paul Spong, Cornet - Graham Coxon, Guitar, Tambourine, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Organ, Lead Vocals, Writer - Frank Arkwright, Remastering Engineer - Steve Lovell, Producer - Simon Weinstock, MixingEngineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

9
Oily Water (2012 Remaster)
00:04:59

John Smith, Producer, Engineer - Alex James, Producer, Bass Guitar, Writer - Dave Rowntree, Producer, Drums, Writer - STEPHEN STREET, Remastering Engineer, MixingEngineer - Graham Coxon, Producer, Guitar, Tambourine, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Producer, Vocals, Writer, Miscellaneous - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

10
Miss America (2012 Remaster)
00:05:34

John Smith, Engineer - Alex James, Producer, Bass Guitar, Writer - Dave Rowntree, Producer, Writer, The Plough - STEPHEN STREET, Remastering Engineer - Graham Coxon, Producer, Guitar, Percussion, Writer, Background Vocals, Noises - Blur, MainArtist - Damon Albarn, Producer, Lead Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

11
Villa Rosie (2012 Remaster)
00:03:53

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Remastering Engineer - Graham Coxon, Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Vocals, Writer - Frank Arkwright, Remastering Engineer - Steve Lovell, Producer - Simon Weinstock, MixingEngineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

12
Coping (2012 Remaster)
00:03:23

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Writer, Drum Loops - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Guitar, Tambourine, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Keyboards, Lead Vocals, Writer, Synthesizer, Moog - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

13
Turn It Up (2012 Remaster)
00:03:22

John Smith, Engineer - Alex James, Bass Guitar, Writer - Dave Rowntree, Drums, Writer - STEPHEN STREET, Producer, Remastering Engineer, Hand Clap - Graham Coxon, Guitar, Tambourine, Triangle, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Lead Vocals, Writer - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

14
Resigned (2012 Remaster)
00:06:12

John Smith, Producer, Engineer - Alex James, Producer, Bass Guitar, Writer - Dave Rowntree, Producer, Drums, Writer - STEPHEN STREET, Remastering Engineer - Graham Coxon, Producer, Guitar, Slide Guitar, Writer, Background Vocals - Blur, MainArtist - Damon Albarn, Producer, Lead Vocals, Writer, Melodica - Frank Arkwright, Remastering Engineer

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

Album review

As a response to the dominance of grunge in the U.K. and their own decreasing profile in their homeland -- and also as a response to Suede's sudden popularity -- Blur reinvented themselves with their second album, Modern Life Is Rubbish, abandoning the shoegazing and baggy influences that dominated Leisure for traditional pop. On the surface, Modern Life may appear to be an homage to the Kinks, David Bowie, the Beatles, and Syd Barrett, yet it isn't a restatement, it's a revitalization. Blur use British guitar pop from the Beatles to My Bloody Valentine as a foundation, spinning off tales of contemporary despair. If Damon Albarn weren't such a clever songwriter, both lyrically and melodically, Modern Life could have sunk under its own pretensions, and the latter half does drag slightly. However, the record teems with life, since Blur refuse to treat their classicist songs as museum pieces. Graham Coxon's guitar tears each song open, either with unpredictable melodic lines or layers of translucent, hypnotic effects, and his work creates great tension with Alex James' kinetic bass. And that provides Albarn a vibrant background for his social satires and cutting commentary. But the reason Modern Life Is Rubbish is such a dynamic record and ushered in a new era of British pop is that nearly every song is carefully constructed and boasts a killer melody, from the stately "For Tomorrow" and the punky "Advert" to the vaudeville stomp of "Sunday Sunday" and the neo-psychedelic "Chemical World." Even with its flaws, it's a record of considerable vision and excitement. [Most American versions of Modern Life Is Rubbish substitute the demo version of "Chemical World" for the studio version on the British edition. They also add the superb single "Pop Scene" before the final song, "Resigned."]

© Stephen Thomas Erlewine /TiVo

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